The
Men They Couldn’t Shave saw the day of light autumn 2000, when Mr. Mo Larsen
met the transcendent Mr. Roy Botten at Roy’s legendary studio Hard Rain. Roy
decided to record some of Mo Larsen’s songs – tunes he’d made in the
desert of New Mexico during his time in the loneliness and the wilderness
outside Albuquerque.
You
need a band to record songs, and this is really the point where the band The Men
They Couldn’t Shave was born. Mo Larsen and his friend and warrior Dag Peeters
asked Jan Henri Peeters if he could join in and arrange the songs about to be
recorded. Jan said yes, sharpened his guitars and got auditioned a bass-player
and a drummer for the weekend of recording. Two days of rehearsals and the band
entered the legendary studio Hard Rain, where Mr. Botten was ready and eager
behind the desk with thousands of buttons. Three nights and three days ended up
in the demo-EP “Ray Ban’s for the Nightingales”, six songs by Mo Larsen,
but arranged by the entire band. The transcendent Mr. Botten saw something the
band had not yet discovered - at least that’s what the story tells – because
he joined in on harmonica and has been a creative and critical force in the band
from this day on. Musicians and music-lovers labelled the demo “a great start
with a snappy coctail of songs”. The few reviews the EP got were optimistic
– they were yet to be even more optimistic. The Men didn’t do much talkin’
anyway the first six months of 2001. Mo Larsen did his things and wrote lyrics
and tunes for the next project – soon to be named “Passports Won’t
Dance” – another EP with six songs.
Mr. Botten and Mo Larsen recorded five of these songs in the middle of Christmas
2001 at Mr. Bottens new studio in the middle of nowhere. Just the two of them,
an acoustic guitar and a harmonica. The session even got a name to itself –
“Acoustic Absinthe”. Why, only the two of them know – and they won’t
tell…. The two warriors who respond to the name Peeters gathered their
companions on bass and drums. A new drummer – Mr. Raymond Wennerstrøm –
joined the band and added spice and creativity to the sound of the band.
Four days of rehearsals and the band once again entered the gates of the
upcoming legendary Botten Studios. All in all it took the band seven days to
finish the six songs on “Passports Won’t Dance” – a demo showing that
the band is on its way to its own sound and attitude and groove. This demo is
significant to the band’s course for several reasons: Something is
crystallizing in the sound and attitude in the music, and Jan’s melody on the
song “Beneath the Ashes” is a firecracker and a sign that he’s the one to
write the melodies in the future. And the last but very important sign: The band
show that they hear similar sounds and are able to spot the same oasis in the
horizon for the band. The Men They Couldn’t Shave are about to give birth to
their own sound – the sound of the desert and the sound of honesty. And
that’s the crossroads the band is standing at.
12 new songs have been chosen to be on the new album “Ragin’ Butterflies”.
One rehearsal has been recorded – and those who’ve listened to it are
extremely optimistic. A more defined The Men They Couldn’t Shave are eager to
once again enter Botten Studios to
get to work on what will become another proud statement in the band’s history
– so far.
“Ragin’
Butterflies” became the proud statement we all hoped it would be. Raving
reviews all over the place, and the tribe from the desert got confirmed that
what they heard in their heads were sounds other people longed to hear. The Men
They Couldn’t Shave helped them out as the record sold well since its release
June 6th 2003.
A
hell of a release party at Jessheim made the floors move and the few gigs the
band managed to fit into a busy schedule, proves that the more they play
together, the better they sound – and appear.
In
between rehearsals and gigs, Jan and Mo Larsen worked on new songs. The
chemistry between the two is still developing and they are bound to give birth
to a great musical flower on the next one. The entire band is contributing on
the arrangements – of course.
But
when Jan decided to record 10 acoustics seeds late summer, there was easy to see
that something is happening here, Mr. Jones. Great melodies, sharp lyrics – a
more distinct and confident batch of songs are now born. What these acoustic
beauties will end up as, noone can tell. But expectations are already higher
than we thought they would ever be. Where will this journey end?
Join
the tribe roaming the desert and find out for yourself. Jan and Mr. Mo Larsen
has right now named the upcoming project “Been on this land too long”. And
they assure you that there’s nothing defensive about that. And there is
nothing depressive about it either. The Men They Couldn’t Shave refuse to
stand still. They are moving on. They have been on this land too long. Where
they end up the next time they come around, remains to be seen.
It
is strange how time passes slowly and yet so fast. The work with the upcoming
project just seemed to explode in the faces of the drifters in the ragged
commune. What was meant to be one record, just expanded into two albums – one
with sounds from the urban prairie and one good ol’ country-album with songs
that made the band weep dust instead of tears.
Mr.
Raymond Wennerstrøm left the band, and the drums were left empty. Raymond moved
to London to pursue his search for God the almighty. He found a beautiful girl
and went to Australia to get married. All is well and he is living and breathing
spiritual air. He still has got the scriptures in his pocket.
What
now? A band with no drummer is no band at all…
In
from the plains came this tall man with rhythm in his veins. Mr. Hans Petter Kværner
became somewhat a savior with a beat. He sat down at his first rehearsal and
beat that snare drum so hard that the paint fell from the walls. He was the man
to keep the beat going.
Rehearsals
kicked off and the band headed down the trail to start recording the two albums.
Looking at the timeline, we are facing fall of 2005 at this point.
During
the winter of 2005, the songs fell into place and the albums were taking shape.
The boys were on to something, and the road was no longer as steep and narrow as
it had seemed at times. Then our bassplayer decided to pursue his quest
elsewhere. And the projects came to a quick stop. Not for long, though.
The
Men They Couldn’t Shave managed to get a hold of a mighty unshaved bassplayer
carrying the name of Mr. Brian Tierney – a man with both feet in the blues,
and with a bass guitar – an original Fender jazz from 1962 – that the mighty
Jimi Hendrix has played on. Mr. Brian filled the room with groovy gracefulness
and the train was rolling again.
The
album “42nd Street Electric Fox” was shipped to the rock capitol
of Norway, Halden. And Mr. Kai Andersen mixed the songs before Mr. Audun Strype
mastered the horsethieves’ songs. The record was off to the print shop.